The Study of Hagiographic Works in Central Asia

Abstract

Hagiographic works, originating from religious traditions, play a significant role in shaping societal values. These works depict the lives of saints, prophets, and religious figures, often blending theological, cultural, and historical narratives. This article focuses on the development of hagiographic literature in Central Asia, with a particular emphasis on Nasiruddin Rabguzi’s Qisas Rabguzi as a prime example of Turkic hagiographic writing. Despite the rich tradition of hagiography, there has been limited scholarly attention to the specific characteristics and impact of these works in Central Asian literature, especially within the context of Turkic-speaking communities. The aim of this study is to explore the history, types, and significance of hagiographic works, with a detailed examination of Qisas Rabguzi and its role in disseminating religious and moral teachings. The study highlights the artistic sophistication and ideological depth of Qisas Rabguzi, showcasing its use of Quranic verses and historical references to impart spiritual lessons. This paper provides a unique analysis of the literary, theological, and cultural dimensions of Central Asian hagiography, shedding light on its enduring relevance in both historical and contemporary contexts. The findings underscore the importance of hagiographic works in shaping religious discourse, offering valuable insights for literary scholars, historians, and those interested in religious literature’s societal impact.