Munis’s Creative Followership of Navoiy
DOI:
https://doi.org/10.51699/cajlpc.v7i2.1520Keywords:
Succession, Tradition, Mastery, Artistic Composition, Musalsal Ghazal, Nazira, Tatabbu, Plot-Based Ghazal, Event-Based Ghazal, Lyrical Novella, Lyrical Narrative, Divan, Preface (Debocha)Abstract
This article is devoted to the study of the creative relationship between Alisher Navoi and Shermuhammad Munis. The paper examines the issues of the literary influence of Alisher Navoi’s works on the poetry of Shermuhammad Munis. Munis’s nazira and mukhammas written in response to Navoi’s ghazals are analyzed. In the course of the analysis, the artistic mastery of Navoi and Munis is revealed, as well as Munis’s potential and capacity as a successor and follower of his master.
References
Munis ul-ushshoq, Manuscript Fund of the Institute of Oriental Studies named after Abu Rayhan Beruni, Academy of Sciences of the Republic of Uzbekistan, inv. no. 940.
Munis ul-ushshoq, Manuscript Fund of the Institute of Oriental Studies named after Abu Rayhan Beruni, Academy of Sciences of the Republic of Uzbekistan, inv. no. 1330.
A. Navoi, Khazoyin ul-Ma‘ani. G‘aroyib us-Sig‘ar, H. Sulaymon, Ed. Tashkent, Uzbekistan: Fan Publishing House, 1959.
A. Navoi, Complete Works. Khazoyin ul-Ma‘ani. Favoyid ul-Kibar. Tashkent, Uzbekistan: Gafur Ghulam Publishing House, Uzbekistan Agency for Press and Information, 2011.
S. Munis, Munis ul-Ushshoq, vol. 37, “O‘zbek adabiyoti xazinasidan” (200-volume series). Tashkent, Uzbekistan: O‘zbekiston Publishing House, 2025.
N. Jumaxo‘ja, Satrlar Silsilasidagi Sehr. Tashkent, Uzbekistan: O‘qituvchi Publishing House, 1996; 3rd ed., Tashkent, Uzbekistan: Anorbooks, 2023.
Q. Mamiraliyev, Istiqlol davri o‘zbek she’riyatida janrlar modifikatsiyasi, Ph.D. dissertation, Tashkent, Uzbekistan, 2024.
Q. Mamiraliyev, Istiqlol davri o‘zbek she’riyatida janrlar modifikatsiyasi. Tashkent, Uzbekistan: Anorbooks, 2024.
Q. Mamiraliyev, “Genre modification in Uzbek poetry of the independence period,” Eur. J. Humanit. Educ. Adv., vol. 3, no. 3, pp. 115–119, 2022. [Online]. Available: https://scholarzest.com/index.php/ejhea/article/view/1916
Q. Mamiraliyev, “Some reviews on the mutation of genres in Uzbek poetry,” Int. J. Innov. Eng. Manag. Res., vol. 10, no. 3, pp. 92–98, 2021, doi: 10.48047/IJIEMR/V10/I03/22.
Z. Z. Sabirova, “Soul is the center of confession,” Galaxy Int. Interdiscip. Res. J., vol. 9, no. 10, pp. 608–612, 2021.
Z. Z. Sabirova and Y. K. Madaliev, “On periodication of the literary process (about modern Uzbek poetry),” Eur. J. Humanit. Educ. Adv., vol. 5, no. 10, pp. 17–20, 2024.
Q. Mamiraliyev, “Folklorism in the poetry of the independence period,” Bull. Pedagogs New Uzbekistan, vol. 3, no. 2, pp. 100–105, 2025.
R. S. Madatovich, “Aesthetic features of the formation of a healthy environment in the upbringing of children in the family,” JournalNX, vol. 6, no. 4, pp. 88–90, 2020.
Q. Mamiraliyev, “The portrayal of autumn in classical poetry,” Am. J. Soc. Sci. Humanit. Res., vol. 5, no. 8, pp. 138–142, 2025, doi: 10.37547/ajsshr/Volume05Issue08-33.
