Concept of Renewal in 21st Century Uzbek Poetry and its Scientific-Theoretical Interpretation

Allayorov Safar Khushvaqtovich

doi:10.51699/cajlpc.v7i3.1539

Authors

Allayorov Safar Khushvaqtovich Independent Researcher at the Institute of Social and Spiritual Research; Correspondent for the joint editorial office of the scientific-practical journal "Bulletin of the Supreme Court of the Republic of Uzbekistan" and the "Kuch – Adolatda" newspaper

DOI:

https://doi.org/10.51699/cajlpc.v7i3.1539

Keywords:

Renewal, Poetic Thinking, Contemporary Uzbek Poetry, Aesthetic Paradigm, Post-Classic Poetics, Intertextuality, Methodological Pluralism, Nationality, Global Aesthetics

Abstract

This article examines the scientific-theoretical and methodological essence of the category of "renewal" in 21st-century Uzbek poetry. The phenomenon of renewal is investigated not merely as an evolution of poetic forms but as a complex process interconnected with artistic thinking, spiritual consciousness, national aesthetic perception, and civilizational shifts. Consequently, the study provides a scientific-theoretical interpretation of genre transformation, the reshaping of the poetic subject, intertextual relationships, aesthetic modernization, and the synthesis with global literary processes within contemporary Uzbek poetry.

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