Description of The Theory of Artistic Image
DOI:
https://doi.org/10.51699/cajlpc.v7i3.1587Keywords:
Mega-Image, Macro-Image, Micro-Image, Positive Image, Negative Image, Detail-Image, Realism, PostmodernismAbstract
This article covers the history of the origin, theory, types and stages of development of the term image. The opinions expressed by world and domestic scientists about the image are compared. The types of images in the stories of the writer Luqman Borikhon are described. Problematic situations about the image are discussed. Attention is paid to the change in certain views on the image. The theoretical foundations of the concept of artistic image, its role in literary studies and its importance in revealing the content of a work of art are highlighted. Scientific approaches to the study of poetic image are analyzed. It is explained that the image, as a central category, is the main tool that reveals the content of the work. It is emphasized that the scope of the image includes, in addition to a person and an object, also an image and an event. It is argued that the history of the creation of the image goes back to imitation and likeness. The main element that evaluates the criterion of a writer's skill is the way of creating an image.
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